8/24/2023 0 Comments Datas creator star trek![]() ![]() Q went from a one dimensional omnipotent tormentor to one of the most fascinating characters in the history of Star Trek. The Ferengi were terrible adversaries, but were revamped as comic relief foils (which worked in varying degrees). Tasha Yar's death in "Skin of Evil" seems anti-climatic, but later would be used to give "Yesterday's Enterprise" its dramatic power. (Who says there was never ambiguity on TNG?)īut, one of the great things about TNG is how it didn't let things go to waste like Star Trek: Voyager did so often. And there's that brief moment where he shows concern for Dr. Lore, while an definitely an evil character is given much needed motivation behind it-he's a child who felt snubbed by his "father". The other incredible part is taking the rather lame evil twin idea from "Datalore" and giving it some much needed depth. Um, why didn't Brent Spiner get an Emmy for this episode? This was Brent Spiner's finest performance on TNG on the same calibre as Patrick Stewart in "The Inner Light". Like this site? Support it by buying Jammer a coffee. The message of the final scene all but guarantees Data and Lore will meet again, and seems to ponder what they might ultimately mean to each other. (Note: No comments about B-4 will be entertained.) It may be with a sci-fi twist, but human feelings are still the point here. And now the father's failure for his first child prevents him from realizing his dreams for his second. The way Lore lashes out at his father makes you wince with sympathy here's a man who had good intentions but felt forced to shut down Lore like a failed project, and that project now resents him for it. This seems to have the effect of making him even more unstable. ![]() In the final act the story pulls the ol' switcheroo - which, I suppose, was inevitable - with Lore disabling Data and taking his place so that Soong installs the emotion chip in Lore's positronic brain. Rather, Soong has brought Data here to give him the gift of basic emotions. No one is more regretful of that error than Soong, who would've liked nothing more than to fix Lore, if only he'd known he'd been reassembled, and if only there were enough time. We see here that Lore is not simply "evil," but a tragic victim of his own existence gone awry. In that telling Soong reveals he's dying.īrent Spiner is superb in three roles of characters who are very different and yet vitally connected by the intimate history they share. With both Soong and Lore, we get two surprises where we might've expected only one the story brings the entire Soong "family" to one household to tell a tale we didn't envision when the hour began. Not too long afterward, Lore walks through the door, having also followed the signal home (and proving that "Datalore" was merely the beginning of their arc). (For one, we're dealing with the family roles surrounding an android who has no emotions for another, we have a more traditional Trek structure, with action and plot.) When Data's conscious mind is reactivated, he finds himself in the lab of his creator, Dr. Coming on the heels of "Family," the thematic similarities are interesting, even if the storytelling method is completely different. (His multi-dozen-digit lockout code of the computer - recorded in Picard's voice - is classic.) Data's takeover of the Enterprise is depicted with some memorable opening-act action that proves just how dangerous Data can be when his human qualities are disabled and he becomes, simply, an unstoppable machine. (I've always found the initial premise of the sick boy to be the episode's most obvious weak link.) This emergency is halted, however, when a homing signal in Data's brain is triggered and he takes over the ship, diverting it to a nearby planet. well, are perhaps a little more contrived than they need to be. The Enterprise races to a starbase to save the life of a young boy who has inadvertently eaten poison for reasons that. Star Trek: The Next Generation "Brothers"
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